![]() I put together a list of 5 things kids need before it’s time to teach them to sound out words. Sounding out words is a developmental skill that not all preschoolers (or even kindergartners) are ready for. They use punctuation accurately, and write words and sentences legibly using unjoined upper- and lower-case letters.Have you seen my word slider cards? These are great for helping children see how sounds blend together to make words. They accurately spell words with regular spelling patterns and spell words with less common long vowel patterns. They use a variety of strategies to engage in group and class discussions and make presentations. Students create texts, drawing on their own experiences, their imagination and information they have learnt. They create texts that show how images support the meaning of the text. They explain their preferences for aspects of texts using other texts as comparisons. When discussing their ideas and experiences, students use everyday language features and topic-specific vocabulary. Productive modes (speaking, writing and creating) They listen for and manipulate sound combinations and rhythmic sound patterns. Students make connections between texts by comparing content. They identify literal and implied meaning, main ideas and supporting detail. They use knowledge of a wide variety of letter-sound relationships to read words of one or more syllables with fluency. They monitor meaning and self-correct using knowledge of phonics, syntax, punctuation, semantics and context. They read texts that contain varied sentence structures, some unfamiliar vocabulary, a significant number of high-frequency sight words and images that provide extra information. Receptive modes (listening, reading and viewing)īy the end of Year 2, students understand how similar texts share characteristics by identifying text structures and language features used to describe characters and events, or to communicate factual information. Students create a range of imaginative, informative and persuasive texts including imaginative retellings, reports, performances, poetry and expositions. ![]() These texts include language features such as varied sentence structures, some unfamiliar vocabulary, a significant number of high-frequency sight words and words that need to be decoded phonically, and a range of punctuation conventions, as well as illustrations and diagrams that support and extend the printed text. ![]() Informative texts present new content about topics of interest and topics being studied in other areas of the curriculum. Literary texts that support and extend Year 2 students as independent readers involve sequences of events that span several pages and present unusual happenings within a framework of familiar experiences. The range of literary texts for Foundation to Year 10 comprises Australian literature, including the oral narrative traditions of Aboriginal and Torres Strait Islander Peoples, as well as the contemporary literature of these two cultural groups, and classic and contemporary world literature, including texts from and about Asia. These encompass traditional oral texts, picture books, various types of print and digital stories, simple chapter books, rhyming verse, poetry, non-fiction, film, multimodal texts, dramatic performances and texts used by students as models for constructing their own work. They listen to, read, view and interpret spoken, written and multimodal texts in which the primary purpose is to entertain, as well as texts designed to inform and persuade. Students engage with a variety of texts for enjoyment. In Year 2, students communicate with peers, teachers, students from other classes and community members. Learning in English builds on concepts, skills and processes developed in earlier years, and teachers will revisit and strengthen these as needed. Together, the strands focus on developing students’ knowledge, understanding and skills in listening, reading, viewing, speaking, writing and creating. Teaching and learning programs should balance and integrate all three strands. The English curriculum is built around the three interrelated strands of language, literature and literacy.
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Many years ago, when the People traveled the Plains, a young Indian boy had a Dream-Vision in which it was revealed that one day he would create a painting that. Urn:oclc:608489371 Scandate 20100901153651 Scanner . This vivid retelling of an old Texas legend reveals how the Indian paintbrush, the state flower of Wyoming, first bloomed, and how a young brave dreams of creating a painting that will capture the beauty of a sunset. Goodreads members who liked The Legend of the Indian P. ![]() How this striking plant received its name is told in an old Indian legend. OL270780W Page-progression lr Pages 48 Ppi 400 Related-external-id urn:isbn:0698113624 In spring, the hills and meadows of Texas and Wyoming are ablaze with the reds, oranges, and yellows of the Indian Paintbrush. Urn:lcp:laleyendadelpinc00depa:lcpdf:416cd931-6b94-44ff-aed2-dd6fac5c2e15 About the Book This vivid retelling of an old Texas legend reveals how the Indian paintbrush, the state flower of Wyoming, first bloomed, and how a young. Access-restricted-item true Addeddate 18:01:16 Boxid IA126404 Boxid_2 CH120121031-BL1 Camera Canon 5D City New York Curatestate approved Donor The Legend of the Indian Paintbrush Retold and Illustrated by Tomie de PaolaRead by Lisa JobeYou can support this page by purchasing a copy of this book here. ![]() More information about the game can be found at the official Fracture site,. Use Tectonic Grenades to jolt the ground skywards to access otherwise unreachable areas take out hidden enemies with strategic use of the Torpedo Gun or, blast out a crater to provide cover with the Entrencher during particularly intense encounters.įracture will be available October 2008 for Xbox 360â„¢ and PLAYSTATION®3. 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You don’t want to create a 2-person party that includes a couple of low-health, melee characters. Instead, do a bit of research on each hero and select the one that most intrigues you! Additionally, consider which mercenaries work well with each other. If you don’t like your starting mercenary, this can lead to a frustrating start to Gloomhaven. This quest typically requires completing several scenarios, meaning dozens of hours of playtime. Once you choose a character, you’re stuck with that mercenary until you complete their personal quest. Tinkerer – a unique support class that offers plenty of healing and buffs for the squad.Spellweaver – a heavy-hitting wizard that does big damage from range. ![]()
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